1995 Gino Vannelli's : Yonder Tree

For Gino Vannelli's 13th Masterpiece
in true love and romanticism :
SLOW LOVE click on this line!

Yonder Tree to Barend signed by Gino Vannelli

Yonder Tree a MASTERPIECE, created by Gino Vannelli who turns music into ART .....

* Walter Whitman Where Are You 4:17 *
* Fallen In Love 6:20 *
* You Owe It To Yourself 5:28 *
* A Little Bit Of Judas 6:38 *
* Unbearably Blue 5:43 *
* Jehovah And All That Jazz *
* None So Beautiful 4:18 *
* I Die A Little More Each Day 5:58 *
* Come To The Well 2:45 *
* Moon Over Madness 4:45 *
Click here for the Yonder Tree Lyrics...

GINO VANNELLI'S YONDER TREE :
Scroll down till the end for some pictures of our Yonder Tree collection...
YEAR : COUNTRY : YONDER TREE ITEM : NOTES / REMARKS :

1995
France FDM 36214-2 CB 811
Inka/Dreyfus Bleu CD :
10 songs

1995 Canada Inka/Polygram/Mercury Brown CD :
10 songs

1995 Japan PCCY-00744 Inka/PonyCanyon Ent. Different CD sticker : 10 songs
Including a Japanese cd-booklet.

1995 USA PROMO !!!
For promotional use only - not for sale ! Verve/Polygram SACD 1031
A super beautiful design. 2 CD's :
1: Yonder Tree
2: A selection from the A&M years

1995 France PROMO CD-SINGLE !!!
Dreyfus FDM PGV 05 95 2 Songs :
1: I Die A Little MOre Each Day 4'02
2: Walter Whitman where are you 4'17

1995 USA Yonder Tree musiccassette
still sealed 314 527 368-4

1995 USA A framed Yonder Tree promo-card Polygram Records 314527368TRM1
Signed by :
Gino Vannelli, Otmaro Ruiz, Phil Baker, Phil Dwyer, Monte Croft and Paul Brochu

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Yonder Tree want - list :
1995 : Promo cd-single in a cd box : 2 tracks :
I DIE A LITTLE MORE EACH DAY
1 - edit version 4:16
2 - album version 5:58

BACK to page 1 : Barend and Trees's shameless devotion to Gino Vannelli....
Copyright (c) 1999 - 2008 Barend and Trees in Holland
Order : Yonder Tree
Go to the Yonder Tree lyrics...

This is a Gino Vannelli Yonder Tree work of art made by Mirian Sweegers, a BIG Gino Vannelli fan from Holland. Mirian created this work of art with her heart...

Here is her e-mail dated Saterday 6 August 2005 : Dutch : Hoi Barend & Trees, Ik zou het als een eer beschouwen als mijn schilderij van Yonder Tree op de page mag. Mijn naam mag gerust vermeld worden. Laat mij even weten waar ik het dan kan vinden want ik ben niet zo'n held met pages net als jullie. Ik heb het inderdaad helemaal zelf gemaakt. Als ik met mijn hart kan werken kan ik alles maken, dat is ook mijn connectie met de Gino muziek; hij werkt ook met zijn hart, anders zou de muziek mij nooit zo raken. Ook jullie werken met jullie hart aan de web page. Ook hiervoor geldt wat je met je hart doet is goed.
Groetjes Mirian
English :
Hi Barend & Trees, I should see it as a big honour when my painting is allowed on your web page. You can mention my name for sure. Please let me know where I can find it because I am not that good with web pages like you are. Yes, I made it all by myself. When I can work with my heart I can make everything and anything, that's also my connection with Gino's music; He also works with His heart; otherwise the music should not grab me and touch me so much and so deep. Also you two work with your heart on the web pages. So this rule holds good universally : "What you do with your heart is good."
Kind regards, Mirian

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COMMENTS, REVIEWS AND OTHER WORDS ABOUT YONDER TREE:
Yonder Tree, Gino Vannelli, singer. This well-produced recording, by the nationally-known, Beaverton-based singer-songwriter, was partially recorded in Portland and features a rhythm section of Randy Porter on piano, Phil Baker on bass, and Graham Lear on drums.
Vannelli is a gifted vocalist and unique songwriter, with some compelling and intelligent lyrics, when his breathy sermons, Kerouac-inspired allusions, and poetic license aren't overdone (i.e. Moon Over Madness - a contemporary MacArthur Park). Baker (solo), Porter, and Lear give a five-star performance on Fallen in Love. Other highlights include Vannelli's vocal on None So Beautiful, Porter's intro to Unbearably Blue, and Tom Scott's saxophone on Jehovah And All That Jazz. Of special note: Porter's chord voicings and accompaniment are outstanding throughout. Polygram, 1995, Playing Time: 51:53, ****.
By Michael Brewin of the SOULJAZZ web site. SOULJAZZ happens when the musician becomes the instrument through which the real music is played. -- Michael Brewin